Untitled does not originate from a predetermined intention or concept; rather, it unfolds through an experimental engagement with digital brushes. The work foregrounds improvisation and process-oriented practice, where visual development emerges not from fixed design but from the ongoing negotiation of tension and balance among visual elements. In this sense, the project highlights the exploratory nature of artistic experimentation, underscoring the role of intuition and dynamic decision-making within contemporary painting practices.

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Untitled 并未以明确的意图或概念作为起点，而是通过数字笔刷的实验性运用展开创作。作品的生成过程强调即兴与过程导向的实践，画面的发展并非预设，而是在持续的观察、判断与调整视觉元素之间的张力和平衡中逐渐形成。此种方式凸显了创作作为一种探索性实验过程的特质，强调直觉与动态决策在绘画实践中体验。